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The Bocca Della Veritá (The Mouth of Truth)

5/7/2021

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The City of Rome is full of thousands, maybe hundreds of thousands, of ancient and historical artifacts. I believe someone could live there a lifetime and not see everything. Part of the fun of going there and just wandering around is the discovery of these wonderful pieces of art tucked away in small corners, ready to surprise, then thrill the newcomer.
​
Unless you are on a tour that takes you to this location, The Bocca Della Veritá (The Mouth of Truth) is a rather unexpected find, located in the ancient cattle market in Piazza della Bocca della Verità, at the left side wall of the portico of Santa Maria in Cosmedin church.
It was moved there from its prior location to the portico of the Santa Maria in Cosmedin in the 17th century.

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Piazza della Bocca della Veritá.
Image source:
rome-roma.net/bocca-della-verita
WHAT IS THE BOCCA DELLA VERITÁ?
The Mouth itself in a disc shaped sculpture [a sort of mask] made of Pavonazzo marble, with the carving of a male face with wide open mouth, nostrils and eyes. The stone disc is 5’9” in diameter, seven inches thick, and weighs 2,800 pounds. [The thickness appears to be over 7”, but that was the measurement I found.] The estimated age is 2200 years.

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Source of images:romesightseeing.net/mouth-truth/
BITE ME
The name “Mouth of Truth” and the legend both originated in the fourteenth century. The legend warns that anyone not telling the truth who placed a hand in the mouth of the sculpture would have it bitten off. Supposedly, Medieval Romans used the sculpture as an ancient lie detector for those who committed acts like adultery and perjury.

Piazza della Bocca della Verità served as the venue for trials of petty criminals. Those accused were asked to take an oath of honesty at the piazza by placing one hand in the mouth and then answering the questions of the “executioner” i.e. judge. If the executioner believed the person was telling the truth, nothing happened. When the judge did not trust the veracity of the accused, a hidden “executioner” with a sharp sword would slice off the hand.

This gross demonstration was intended to punish criminals and at the same time encourage people to be more honest by creating fear of the consequences.

How’s that working out?

Travelers who witnessed the trials thought it was magic and eventually the legend grew.

​THE DUPLICITY OF WOMEN

The practice of using the Mouth to verify a wife’s adultery [no mention of men being tests this way] generated the following popular story/legend. A cunning woman accused of adultery had to undergo the test of the Bocca della Verità in front of her husband and a judge. She persuaded her lover to come with her disguised as a fool and at the crucial moment he mischievously embraced her. She could then swear, without fear, that no man apart from her husband and that fool had ever touched her.
​

The story was picked up by German Renaissance painter Lucas Cranach, the Elder, who created a series of paintings illustrating the “duplicity of women.” Instead of the Mouth, he substitutes the image of a lion.
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▲Image Credit: Lucas Cranach, The Elder                                           ▲ Image Credit: Lucas Cranach, The Elder
Source: wga.hu/html_m/c/cranach/lucas_elder           Image Source: en.wikipedia.org/wiki/Bocca_della_Verit%
The stone was dubbed “The Mouth of Truth” in the middle of the 15th century. This superstition apparently appealed to the Romans and it persists still, although hundreds of thousands of tourists and Romans alike have put it to the test and miraculously retained the threatened appendage.
 
THE REAL PURPOSE
As with many artifacts from ancient times, the original purpose is not always clear. To consider the possible “purpose” theories, it is important to understand that this sculpture has always been located in this area of Rome, but its current location was not its first home. That is the big unknown.

Archaeologists know the disc was moved from its original location in the thirteenth century and placed in front of Santa Maria in Cosmedin; one source indicated it was placed against a wall. 

However,
rome.us/ancient-rome says that “it was installed vertically only in 1632 by Pope Urbano VIII Barberini. At first, it was located directly in front of the church, and then – moved to the portico.” If this is true, the statement implies that the stone was not vertical before that.

● Drain Theory
Because the area was once a cattle market, some researchers believe the Bocca della  ​Verità was used by merchants as a downpipe to drain the blood of the cattle slaughtered as a sacrifice to Hercules.                                                      Temple of Hercules Victor
​                                                                                           
Image Source: en.wikipedia.org/wiki/Bocca_della_Verita
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​Another variation on the same theme is that it was a drain cover inside the nearby Temple of Hercules Victor, a pagan temple in Piazza Bocca della Verità [built 161-166]. This small round temple has, or had, a round open space in the middle of the roof allowing rain to come in. As a drain, which would have been placed under the aperture, it would have provided for disposing of both rainwater and blood from the sacrifices, plus the timing, location, and shape make this a viable possiblity.

The outstanding anomaly with this theory is that a temple dedicated to the pagan god Hercules would include a sculpture with another god’s face on it. Apparently, no archeologist or historian believes the face is supposed to depict that of Hercules.

● Fountain/ Artistic Disc Theory
Another theory is that it is a remnant of a fountain dedicated to a pagan god, or was simply a decorative sculpture. Those are possible also. If so, it would have been mounted vertically, similar to the mounting of the Roman fountain, The Mask.

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The Mask sculpture is much more recent and displays the manner in which Face Fountains looks and the pattern of deterioration. The concept of free standing fountain or wall display makes better sense in terms of whose likeness is represented on the Bocca della Verità.


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Fountain of the Mask-Rome
Sculpture by Giacomo della Porta , 1593
Image Source: art.com/products/giacomo-della-porta


WHAT’S IN A NAME?
A great deal of debate is in this name, and no one will ever know for sure. In the meantime, some scientists believe it is meant to resemble the Greek god Oceanus, Titan god of the seas, preceding Poseidon as ruler of the world's oceans.
​

Other candidate include Tiberinus, god of the Tiber River; Faun, a creature from Roman mythology who is part human and part goat; or Pan, the god of the wild, shepherds and flocks, nature of mountain wilds, rustic music and impromptus, and companion of the nymphs.
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Before 1953, the name Bocca della Verità or Mouth of Truth didn’t mean much unless you were a resident of Rome, an architect, or an archaeologist. Then, in that year, the world was introduced to the monumental marble stone face in the film Roman Holiday staring Audrey Hepburn, in her breakout role, and Gregory Peck. The movie was a hit, Audrey Hepburn was a hit, and the legend of the sculptured stone was a hit. It still is in 2021.
                                                                                    Roman Holiday trailer, Public Domain
                                                                      Source: https://commons.wikimedia.org/w/index.php?curid=2470305
REPLICAS

If you can’t get to Rome to see the real thing, this work of art has been replicated is many places. A full-size reproduction sits in the Alta Vist Gardens in California and one of Jules Blanchard’s sculptures in the Luxembourg Gardens in Paris depicts a woman with her hand in the sculpture's mouth. Or you can buy a replica of your own to hang in the garden or drawings and photos to hang on your wall.

My replica sculpture is about 18” in diameter, and is very realistic… except for the toy duck one of my grandchildren put in his mouth.

JUST SAYIN’
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Sources:
 it.wikipedia.org/wiki/Bocca_della_Verit
 https://it.wikipedia.org/wiki/Bocca_della_Verit%C3%A0#/media/File:Roma_-_Santa_Maria_in_Cosmedin_5846.jpg
https://www.atlasobscura.com/places/the-mouth-of-truth-rome-italy
https://rome.us/ancient-rome/mouth-of-truth.html
https://www.itertours.com/mouth-truth-story-behind-one-romes-recognizable-symbols/
https://www.romesightseeing.net/mouth-truth/#:~:text=The%20Mouth%20of%20Truth.%20La%20Bocca%20della%20Verit%C3%A0%2C,face%20with%20wide%20open%20mouth%2C%20nostrils%20and%20eyes.
https://www.watergallery.net/blog/a-look-back-at-ancient-roman-water-fountains/
Photographs:
https://www.art.com/products/p36985595387-sa-i9597927/giacomo-della-porta-rome-fountain-of-the-mask-1593-by-giacomo-della-porta-c-1540-1602.htm?savedConfig=true
https://www.rome-roma.net/en/bocca-della-verita.html
https://www.wga.hu/html_m/c/cranach/lucas_e/14/2bocca1.html
https://en.wikipedia.org/wiki/Bocca_della_Verit%C3%A0
https://www.art.com/products/p36985595387-sa-i9597927/giacomo-della-porta-rome-fountain-of-the-mask-1593-by-giacomo-della-porta-c-1540-1602.htm?savedConfig=true


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    Author R. Ann Siracusa

    Novelist, retired architect and urban planner, world traveler, quilter, owl collector, devoted wife-mother-grandmother, great-grandmother, and, according to some, wild-assed liberal.

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